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bookblather
19th May, 2013. 11:08 pm. help!

The 24th is a deadline for something in the internet world, but I don't remember what it is. Help me, o flist! Rainbowficcers especially; I feel like it's related to that.

This entry is crossposted at http://bookblather.dreamwidth.org/168123.html. Please comment over there if possible.

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deborahkalin
20th May, 2013. 12:57 pm. bad mother, no biscuit

So here's something obvious if only I'd stopped to think about it: an overnight trip with a 4 month old is a bit brutal.

This weekend, Squawk, the pterosaur and I tripped up to Sydney for the Aurealis Awards. We went partly because "First They Came…" was shortlisted, and mostly because I wanted to be part of the scene. To prove to myself that having a child hadn't fundamentally changed my commitment to my writing (even if it has shifted around my writing process, available time, sleep levels, patience, general location, living arrangements, diet, tea addiction, slavish devotion to twitter and all things internet related, ability to think, and just, you know, everything).

I still can't decide whether going was a mistake.

I had a truly fabulous time, and got to catch up with friends I haven't seen in years, and even to meet new friends and to connect in person with people I've only known via the internet before now. After the isolation of the first months of motherhood, being able to frock up and play with the grown-ups was reinvigorating.

But at the same time, the whole experience has left me riddled with guilt. First for disrupting poor Squawk, whose four month old brain hasn't yet learnt the soothing patterns of predictability. For her, nothing is familiar, and sleep is hard to come by because her brain is constantly being bombarded. I mean, a plastic giraffe that squeaks when you happen to push its stomach the right way is brain-bending to a baby. You should see what cellophane does to her ability to control her limbs. The other night I showed her that you could take two cups and tap them together to make a noise, and that revelation was so alarming and world-enlarging that she damn near thrashed herself right out of the bath.

My brain knows how to filter out information it doesn't need, such as the way light bounces off lino, or background babble. Being in an unfamiliar room is no problem, because I know how I got there and how long I'm staying and that I can leave when it all gets too much. I know what's roughly going to happen each day — but Squawk's "days" are usually only 2 or so hours long and they're all pretty varied. Sometimes it's light when she wakes up, sometimes it's not. Sometimes she feeds straight away, sometimes she feeds just before sleep, and sometimes she doesn't feed at all.

She's so little that she's quite simply lost in the detail of this world and its adult-sized patterns.

And this weekend I took her out of her comforting home, threw away all her familiar routines, and dumped her in the middle of a raucous party. One that was four days long, by her reckoning of days, and came straight after a trip that was also four of her days long.

I spent most of the awards ceremony itself mentally kicking myself for what I'd done to her.

To give credit where it's due, Squawk behaved with admirable aplomb. She never once got stroppy with her sleep deprivation, didn't panic at strangers plucking her out of my arms, and she sat through the ceremony without real protest. She did maintain a fairly constant low-grade eerie moaning mutter that had those nearby turning to check whether they were about to die — which promptly had me feeling anxious about spoiling everyone else's ceremony experience into the bargain.

So after the ceremony I left her tucked up in a hotel room with her Nanna, safely away from all the noise. And promptly felt guilty for abandoning her. There she was, needing to tell me what the day had done to her synapses and wanting only something as simple as a cuddle from me or the pterosaur to help her get to sleep, and she had neither. I was downstairs, so worried about her, and so tired myself, that I barely managed a coherent sentence, stuffed up pretty much every conversation I attempted, and didn't manage to find the courage to talk to even half as many people as I'd have liked.

I comforted myself with the thought that I'd be able to catch up with everyone I'd missed at breakfast. But I spent pretty much all of the night comforting poor Squawk, who was so wired that she spent every second of her sleep moaning. Breakfast therefore found me so tired (and hungry — in looking after Squawk I forgot to eat any dinner myself) that I forgot to say hello to people, forgot to say goodbye, I even forgot how to manage my utensils.

I took her because I wanted to be normal, and present.1 To be both a writer and a mother. And mostly, I feel I achieved only an effed-up version of each of them. So busy being a mother I couldn't interact with the writers on a normal level, and so busy being a writer I couldn't be a proper mother.

To everyone who took the time to chat with me, and to put up with my laggy responses as if they were normal, my sincere thanks. To everyone I missed, my apologies. (Or should that be the other way around?) I can see I'm going to have to work on this balance thing.

  1. And because we're both using my breasts. Where I go, she goes. []

Mirrored from Deborah Kalin.



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eyemage
19th May, 2013. 7:45 pm.


drinks on chill, got drinks on chill
Originally uploaded by mark silva



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eneit
20th May, 2013. 12:44 pm. I'm going to be a bore

Because I've brought this subject up many times over the years, but I'm yet to get an actual answer. At what point does the right of an artist to create, over-ride the rights of cultural/ethical appropriation?

So, what has set me off on this path again? The fact that in 2013 we are still not seeing that using black face is demeaning; the thoughts I've had since the outcry over Bill Henson's paintings of nude children, which also tie into my opposition to children's beauty pageants (and now there are cyber beauty pageants because we've rammed home the message that these prepubescent girls are only there to be judged on their attractiveness, right?) - I have no issues with nude paintings of an adult, who is presumably able to judge for themselves the effects of being publicly paraded and handle the criticism their actions may engender - but we don't force the responsibility of voting onto children, so why should we allow the adults in these children's lives to abrogate their responsibilities when it comes to artistic works, or pageants by saying "Oh she/he wants to do this..." You know what? She/he might want to - but I know one Bill Henson's early models, and I've seen (the now adult) her cry with mortification over her body being displayed in our local art gallery. These two things combined with the thoughts I've had since the Racefail 2009 threads. Over the years I've been snarked at, and written off as a prude, and told that I don't get it because I'm not an artist - but none of this serves, because I knocked back legitimate modelling contracts for my daughters as children, and had them thank me for it as adults. And I do create - I've certainly never been an astronaut or a boy, but my first e-published novel was about a boy rescued from a meteor. I know that you can research and learn about other ways of life, I know that you can take on other people's experiences, and incorporate them into your work. I agree that art should make you think, and react and want to learn more. I just don't agree that you have to be a dick and hurt other people to do so.

My POV character in that first novel was white, and from Australia - a much changed futuristic Australia, but still, I know enough of my own culture, and the land that I love, to fit it inside this character's skin. I could not have written about a child from China with such authenticity. Not then, and maybe not yet - but I do know how I would go about learning. All the available research, memoirs, geology, histories etc would only be my starting point. Once I had that I would talk to people from the area. I would get their permission to turn their fact into fiction, and I would make sure I did my best to make that character fit and not be a white mind in an Asian character. Lets simplify it though, I already know Australia, and I have friends in the Jewish community. Lets make my character a Jewish Australian who's family came here after WWII, research and characterisation should be a breeze, right? No. This child isn't going to have had identical experiences to me, there is growing evidence that the children and grandchildren of survivors of genocide have their dna altered, they learn different coping skills and reactions. This child, though in the same physical space as I, is different right down to a cellular level. Once you have that understanding, you still need to talk to the people who have lived what you are writing about, and unless you want to be a dick, you damn well show respect, get it right and get their permission - or you don't write it.

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devinjeyathurai
20th May, 2013. 10:28 am. What is Doctor Who?



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houseboatonstyx
19th May, 2013. 4:03 pm. Noooo!

Speaking from nightmare ruins of civilization and sanity, "bestselling author Dave Farland" said:

Step 3: Play. Shakespeare once said “The play is the thing.” I think that he understood that playing with words, with ideas, with characters in opposition—brainstorming as he wrote—that was the key to writing well.

Supporting LJ vs the Russian DDOS by crossposting from DW. Comment here or at http://houseboatonstyx.dreamwidth.org/41628.html.

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dsgood
19th May, 2013. 4:51 pm.

Friday May 17, 2013 Email: GOD HAS CHOOSED YOU TO HANDLE THIS CONFIDENTIAL PROJECT SO PLEASE DO NOT DISAPPOINT

***Saw a vehicle labeled "Air Taxi." It was traveling on the ground when I saw it.

Later, saw a taxi which advertised "Any city Any time." Paris in the 1920's, anyone? Or Hong Kong a century from now?

***A prescription had been written for the brand name, rather than the generic. Since the brand name would cost me over twenty times as much as the generic, I had called the clinic. Was reassured that it would be filled with the generic; but I could call HealthPartners pharmacy central phone number to make sure. Was again reassured.

At HealthPartners Riverside pharmacy, the medication was waiting: the brand name version.

It got straightened out.

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mount_oregano
19th May, 2013. 10:16 pm. Me? A Hitchhiker?

Other people were doing this, so I tried it -- and I got great news!

Now if only I were half as funny as he was...


I write like
Douglas Adams

I Write Like by Mémoires, journal software. Analyze your writing!




Current mood: chipper.

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negothick
19th May, 2013. 1:02 pm. Escape from New York, Part Deux



Just got a call from my friends who made it onto a bus out of the city, but they say the highway looks sort of like this. HOURS to leave the city, more hours on Rte. 95.

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steepholm
19th May, 2013. 3:38 pm. Hyperbole and Three Quarters

Okay, I'm probably the last person on the internet to notice this, but - well, yay! I've been checking in now and again for about two years, hoping Allie would follow up her hilarious-yet-devastating post on depression, and now she has - with another hilarious-yet-devastating post on depression.

Curiously, both this and "To Kill a King" (see my last post) are about severely depressed and blocked writers, and both were put on the net on 9th May, 2013. Can this possibly be a coincidence?

(Yes.)

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